Nov
24
to Dec 3

The Research Series November-December

Since September three research teams have each been working in the studio investigating themes, methods, ideas, questions, approaches related to dance, movement and performance. YLDE is excited to invite the public into their work.

First, come and take a class from each of the creators between Oct. 11-16. Classes are designed by the creators with the intent on sharing and teaching their knowledge of methods they are working with. Showings are an evening of showcasing and discussing their work from the last three months in residence. The Endnote is a evening to gather with the artists and listen to essayists hannah_g and Michelle Panting share their creative responses to the research. Screen Shot 2017-11-05 at 8.41.41 PM.png THE ARTISTS IN RESIDENCE SEPTEMBER-NOVEMBER:

Kayla Jeanson

AlexandraWinters

Davis Plett

Brianna Ferguson

Rachel Bourget

Warren Mclelland

with

ESSAYISTS:

Michelle Panting

hannah_g

SHOWING

Nov. 24th 7-10pm

RACHEL BROWNE THEATRE

$10

CLASS

Nov. 26 1-4pm

2-618 ARLINGTON STREET

$10

ENDNOTE

Dec. 3rd 7-9pm

2-618 ARLINGTON STREET

FREE

MORE INFO:

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Young Lungs Dance Exchange Annual Fundraiser
Nov
11
to Nov 12

Young Lungs Dance Exchange Annual Fundraiser

Join us for Young Lungs Dance Exchange's Annual Fundraiser Party!

Featuring performances created by:

Jolene Bailie

Rachelle Bourget

Alexandra Elliott

Hannah Everest

Davis Plett

Sasha Wilde

First performance will begin promptly at 8pm.

Music provided by members of The Vinyl Salon!

PLUS! A kid-friendly craft table!

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The Politics of the Frame : Screen Dance Intensive with Constance Cooke
Oct
14
to Oct 15

The Politics of the Frame : Screen Dance Intensive with Constance Cooke

The Politics of the Frame, will focus on a mindful, conscious approach to creating dance for camera. Constance Cooke will lead the participants through a series of structured exercises with cameras designed to aid and challenge how they approach, capture and situate their work. The premise underlying this exploration is that screen images aren’t neutral –camera angles, shots, camera movements, locations, choreography and framing all carry implied meaning. Through creative critical dialogue, workshop participants will strengthen their ability to discern and create meaning as they shoot and review capture footage.

Screendance is an engaging language. It offers us a means to integrate, understand, question and challenge our own preconceived stories and see self, reflected in other. The curriculum Cooke has devised is a refined program of instruction for dancers, choreographers, visual artists, performance artists and filmmakers, focused on creating innovative movement specifically with the camera frame in mind. Cooke offers participants a new way to see, stimulate, devise and engage with movement, as it exists in the frame.

Examples of dialogues include:

  1. The subjective camera: How can you explore giving the camera an identity? Is it a voyeur? Does it discover something already going on? Does it allude to something else that is taking place off screen (via sound or other innuendo)? Does it make the subject seem smaller (trivial, weaker, etc.) by shooting from above? Does it imbue the subject with power and stature by shooting from below? How can you explore these and other possibilities?
  2. Context: What effect does where you shoot have on what you shoot. Explore location as context and subtext, etc.

DATES AND TIMES

October 14 1-4pm October 15 1-4pm

COST Earlybird (before Oct. 5th) $75
After October 5th $100

email younglungs.wpg@gmail.com to sign up or purchase workshop here

REQUIREMENTS For this two day intensive you will want to bring devices to capture footage, such as smart phones, tablets and digital cameras. Participants are also asked to bring their own laptops to edit on. Please also wear layered clothing that is easy to move in.

ABOUT CONSTANCE Constance Cooke is a Canadian Dance Artist who enjoys the privilege of living and working in Coast Salish Territory. Her work has attracted and cultivated curious, open and intelligent audiences for contemporary and experimental work for over 25 years. Cooke has self-produced her own work for close to 20 years including: full length-works, mixed-programmes with other artists, and site-specific projects. She has been commissioned to create works for Canadian Dance Companies and Independent Dance Artists alike. Cooke is Artistic Director of the newly formed SOS Dance (Seen On Site, Stage and Screen) and Co-Director of Dance For The Camera. Cooke teaches choreography for the frame (screendance). She has taught at the CanAsian Dance Festival in alliance with Kaeja d’dance, at Hub 14 in Toronto, in Winnipeg at the School Of Contemporary Dancers and in Victoria at the D4 The Camera Intensive. She has worked with and studied with screendance icons Ellen Bromberg, David Hinton, Katrina Mcpherson and Douglas Rosenberg. Her own works in screendance has been seen nationally and internationally including ‘Anarchists Footwear?’ which had its American debut in New York at the American Dance Festival. Cooke has created site-specific works for both indoor and outdoor venues, including a Salmon Run Flash Mob with non-dancers and dancers For Copenhagen 350. Last season Cooke premiered Brace 4, with Arash Khakpour and Walter Kubanek at DOTE, worked the Gage Art Gallery presenting an interactive paper and metal installation that audience members where invited to dance and interact with, and with the Greater Art Gallery Of Victoria for their mega event Urbanite, where she had the delight work with Jamie Nesbitt and dancer Lara Barclay. Cooke is a guest choreographer, teacher, and mentor with Professional Training Programmes, Intensives and Mentorship Programmes, including Winnipeg Contemporary Dancers PTP, Vancouver’s Restless Production, the University of Victoria, Cadence Dance in Toronto, Victoria Academy Of Ballet, and The Victoria School Of Contemporary Dance. Where in 2015 Cooke resigned as Artistic Director in order to focus full time on research, creation and leading master classes.

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Tender Napalm
Oct
11
to Oct 21

Tender Napalm

Have you seen the view?

Witness two lovers hold each other hostage as they strive to create, build, and destroy their own private universe... and possibly one another. Tender Napalm is a visceral, passionate, and violent dissection of a Man and Woman's relationship set in an imaginative realm where time and space constantly shifts and explodes.

Theatre by the River and Theatre Incarnate excitedly announce their co-production of:

Philip Ridley's Tender Napalm*.

Featuring Daina Leitold & Karl Thordarson

Showing with Lovesongs For Extinct Creatures Featuring Derek Leenhouts, Mel Marginet, and Ali Robson

Directed by Brenda McLean

Tender Napalm is an immersive theatrical experience taking place on the top floor of 245 McDermot Avenue (Creative Manitoba). The piece will open in the Sacred Circle with Ridley’s poetic sequence, Lovesongs for Extinct Creatures before moving into the main performance space.This event is not to be missed and is a unique opportunity to experience the poetic drama of multi-disciplinary author and artist Philip Ridley.

Tickets $20 and available at www.theatrebytheriver.com

Tickets $25 at the door / 8pm nightly October 11 - 14 & 17 - 21 2pm matinees October 14, 15, 21

@ CREATIVE MANITOBA - 245 McDermot Ave.

BUT WAIT, THERE'S MORE! These performances will offer cash bar for patrons refreshment and also the opportunity to enter our Wine Raffle draw to win 24 bottles of assorted fine wines. Only $5 for each raffle ticket entry!

We hope you join us and attend this event experience! Looking forward to seeing you!

Sincerely, Brenda McLean, Christoher Sobczak Co-Artistic Leaders, Theatre Incarnate www.theatreincarnate.com and Mel Marginet Artistic Director, Theatre by the River www.theatrebytheriver.com

*Thank you to The Winnipeg Arts Council and The Winnipeg Foundation for their support in helping make this project possible.

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Call to Artists: YLDE Fundraiser
Oct
10
to Oct 11

Call to Artists: YLDE Fundraiser

Young Lungs Dance Exchange is planning for our annual fundraising event, a cherished community gathering, and celebratory reunion. As always, our 2017 fundraiser is an open door to artists of all mediums to feature, share and experiment with new work. The evening will be a mix of interactive art creations, music and dance. We invite those who want to share a short performance, video presentation, durational work, or installation.

Over the past 13 years, Young Lungs Dance Exchange has continuously evolved and transformed to find new ways to support and encourage embodied art experiences. This year, Young Lungs has put an emphasis on having our own studio, allowing for participating artists to have a neutral place to play, experiment, and call home as they dive into their creative research. Our fundraising efforts will go towards having a studio space to call our own for our upcoming Research Series.

If you are an artist interested in participating in our fundraising event, and sharing your work, please submit a brief description of the work you want to present. Please specify if it will be an installation, durational, or short (less than 10 minutes) performance. Spots are limited, we hope to design the evening’s program around the artists interested in presenting work. That said, the night is only so long! Therefore, artists will be programmed on a first come, first serve basis. Because of the fundraising nature of the event, we unfortunately do not have an honourarium to offer participating artists, but we promise to treat you like art royalty!!

Interested artists, please submit your interest by October 10th, 2017

Details on the Fundraiser: When – 8pm - midnight on November 11 Where - 618 Arlington St.

If you are interested in helping out with the event by volunteering, please write younglungs.wpg@gmail.com

If you are unavailable to perform, share work or volunteer, but still want to help, we will be having a wine raffle, and any donations of wine would be greatly appreciated!!! Just email younglungs.wpg@gmail.com and we will arrange a pick up or drop off of the donation.

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Aug
2
to Aug 3

Call for Submissions: The Research Series

Call for Submission : The Research Series 2017/18


What is the Research Series?

A residency program designed to support dance and movement-based artists by providing resources towards the research process such as artists fees, rehearsal space, performance and public presentation opportunities. The purpose of the series is to allow for in-depth research, critical thinking, risk-taking, innovation, collaboration and process sharing.

Three (3) artists or artistic collaborations will be selected to participate in the 8th residency program of Young Lungs Dance Exchange’s Research Series via this application process. Applications will be reviewed and chosen by a selection committee.

Applications must be submitted online to younglungs.wpg@gmail.com

Dates: Currently accepting submissions for two residency periods:

September, 2017 - November, 2017 AND November, 2017 - January, 2018

Deadline: Applications for September,2017 - November, 2017 must be submitted by August 2, 2017

Applications for November,2017 - January, 2018 must be submitted by September 15, 2017

(Applicants will be informed of the results no later than 2 weeks after the deadline.)

2017/18 Application Guidelines

Applications should include:


1. Contact Information

2. Specify the residency period. Do not include more than one residency period on the same application. If you are applying to both time periods they must be separate applications.

3. Description of Research Project (3 pages max)

•Articulate a research question you plan to investigate and goals you want to achieve with this residency.

•Describe how you will approach your research question - clearly outline the combination of ideas, imagery, materials, content, method, and process.

•If applying with a collaborative project please specify who will be apart of the project (up to 3 artists) and what this collaboration will offer to the research.

4. Artistic statement (400 words or less) For collaborations, this can be a combined statement or the statement of the lead applicant

•Include any motivations, intentions, or inspirations that are a critical part of your artistic process.

•Describe any concepts, materials, subjects, processes, structures, or questions central to your work.

5. 1 page CV (for each collaborator)


6. Bio of a consultant/mentor you would like to have present for consultation/feedback during the research period.


7. The relevance of your research to the broader dance/movement community and society. (150 words or less)


Criteria and Context:

Through the Research Series, Young Lungs Dance Exchange supports rigorous and wide-ranging artistic investigations that contribute to the field of dance and movement-based performance, that may or may not incorporate other disciplines and sectors.

Resources facilitated by Young Lungs during the research laboratory:

• An artist fee of $950 for each artist

• Consultant/Mentor fee of $200

• Access to rehearsal space

• Opportunities to share work with others in Series

• Access to workshops/classes

• Concluding endnote and roundtable discussion on the research

• Public presentation of the research

• Opportunity to have the research considered by a professional writer and visual artist for a dance journal


CONDITIONS:

Each artist/group is required to adhere to the following:

• Demonstrate/show their research at the Research Series presentation night open to the public

• Develop a workshop based on their research open to the public

• Share their process with a commissioned writer, photographer and other artists in series (ie. studio visits, conversation)

• Submit a final report at the end of the residency detailing activities and feedback

Young Lungs Dance Exchange is a not-for-profit artist-run service organization committed to the development, creation, and presentation of contemporary dance and interdisciplinary performance in Winnipeg, Manitoba.

Please find more information about Young Lungs Dance Exchange at www.younglungs.ca.

If you have any questions or concerns about the application or the residency program please do not hesitate to contact Leigh Anne Parry at younglungs.wpg@gmail.com.

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Jun
17
2:00 PM14:00

Call for Choreographers

Call for Choreographers 2017 The W.I.P. (works in progress) Series in Saskatoon, Saskatchewan is looking for professional and emerging choreographers to present original and innovative works in progress at the Free Flow Dance Centre 224 25th St. W. Saskatoon. Jackie Latendresse is the Series Coordinator. Informal showings will take place twice a year on June 17 and September 23. The season culminates in a Gala event of finished works. Date TBA. Priority will be given to Saskatchewan and Canadian based artists however; international applications are encouraged. Please send:

  1. A brief description of the proposed W.I.P. (work in progress)
  2. A current dance resume. (include phone #, email and mailing address)
  3. A short statement detailing the type of audience feedback that would most help you to continue to develop your work.
  4. Using the guidelines from the Canadian Artists Code describe your status as professional or emerging. Guidelines are available here Applications are being accepted immediately and are accepted on a first come, first served basis. Up to five Choreographers will be accepted for each performance. There will be two in studio performances. An honorarium will be paid for professional artists and at each showing one artist will be selected to instruct a special workshop as a part of the Brain Body Connection professional development series. Please include a description of the type of workshop you would like to present should you be selected. *Optional W.I.P.'s should be an exploration using contemporary/modern or experimental style. Choreographers will receive no less than five and no greater than twelve minutes to present their work. They will be expected to speak about their work prior to the presentation of it for up to a maximum of ten minutes. Written feedback will be collected and distributed to the choreographers. All artists presented will be considered for participation in the final Gala of finished works in the autumn. Please send your applications to: W.I.P. Series Attention J. Latendresse 224 25th St. W. Saskatoon, SK S7L 0C4 Info: freeflowdance@hotmail.com (306) 665-5998
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Movement Class: Adaptación Constante/Constant Adaptation
Jun
14
7:00 PM19:00

Movement Class: Adaptación Constante/Constant Adaptation

(English below)

Miércoles 14 de Junio
7-8:30pm (Puertas a las 6:30)
en el Teatro Incarnate Studio 320-70 Albert St.

Por donación. Abierto a todo el que esté interesado en movimiento, estado de alerta, coreografía y danza. No se requiere experiencia. La clase será dada en español.

Adaptación Constante (Movimiento Corporal)

La clase está basada en la movilidad y funcionalidad del cuerpo humano, tomando como punto de partida patrones de movimiento los cuales funcionarán como principios para la realización de secuencias, juegos e improvisaciones. La clase busca crear situaciones en las que el participante encuentre diversas posibilidades y soluciones a través del movimiento. La disposición es uno de los papeles más importantes para tener un aprendizaje tanto personal y colaborativo durante la clase. 

Colectivo 1.618 es un Proyecto de Creación e Investigación Artística que nace en el 2014 bajo la Co-Dirección de María José Gómez* y Jorge Luis Rebollo** en la ciudad de León, Gto. Partiendo del cuerpo y sus múltiples posibilidades de movimiento buscan profundizar en un lenguaje corporal basado en el juego, la improvisación, el estado alerta y la acción.
Su deseo de impulsar el desarrollo artístico del estado de Guanajuato los lleva a consolidar diversos proyectos como:” Plataforma Órbita” programa de entrenamiento profesional para bailarines de Gto., “Pequeños Mutantes” Proyecto de Danza-Social en Fundación León, así como a integrarse al plantel de docentes de educación artística del Colegio La Salle impartiendo clases enfocadas en el trabajo en equipo y la colaboración a través de la danza. 
Forman parte del equipo de docentes e investigadores del Sistema de Entrenamiento dancístico CONTINUUM por parte de Omar Carrum(DELFOS Danza Contemporánea). Actualmente se encuentran desarrollando su próxima producción que se estrenará este año gracias al apoyo de la escuela “School of Contemporary Dancers” y de EDUCAFIN- SUBE (Instituto de Financiamiento e Información para la Educación) en Guanajuato, México. Este proyecto incluye la colaboración con el colectivo de danza GPS (Winnipeg, Canadá) e Ilse Torres bailarina colaboradora del Colectivo 1.618 desde el 2014. 

*Becada del Apoyo a la Producción y Desarrollo Artístico y Cultural del Instututo Cultural de León 2016 – 2017 en la categoría de Danza.
**Becado del Programa de Estímulo a la Creación y Desarrollo Artístico (PECDA) 2017 del Estado de Guanajuato en la categoría Joven Creador.

-----
Wednesday, June 14th
7-9pm (doors at 6:30pm)
at Theatre Incarnate Studio 320-70 Albert St.

By donation. Open to everyone interested in movement, body-awareness, choreography and dance. No experience required. Class will be taught in Spanish. Non-spanish speakers are still encouraged to attend especially since much can be communicated through body language.

Constant Adaptation (Movement Research)

The class is based on the mobility and functionality of the human body. Taking as starting point patterns of movement which will act as principles for the realization of sequences, games and improvisations. The class seeks to create situations in which the participant will find different possibilities and solutions through the movement. Disposition is one of the most important roles to have both: personal and collaborative learning during the class.

1.618 Collective It is a Mexican Project of Artistic Creation and Research that was born in 2014 under the direction of María José Gómez * and Jorge Luis Rebollo ** in the city of León, Gto. Starting from the body and its multiple possibilities of movement they seek to deepen into body language based on games, improvisation, alertness and action.
Their desire to promote the artistic development in the state of Guanajuato, Mexico, carries out several projects such as: "Plataforma Órbita" that is professional training program for Gto. Dancers, "Pequeños Mutantes" Dance/Social Project at Fundación León, as well as part of the art education Staff of La Salle College, teaching classes that are focused on teamwork and collaboration through dance.
Currently they are part of the team of teachers and researchers of the CONTINUUM dance training system by Omar Carrum (DELFOS Contemporary Dance) and are working on their next production. That with the help of The School of Contemporary Dancers and EDUCAFIN- SUBE (Instituto de Financiamiento e Información para la Educación) will be released in Mexico this summer. This Project includes a collaboration with the Winnipeg based dance collective GPS and its member Ilse Torres whom they have worked with since 2014. 


* Grant holder of the Production and Artistic and Cultural Development of the Cultural Institute of León 2016 - 2017 in the category of Dance.
** Grant holder of the Program of Encouragement to the Creation and Artistic Development (PECDA) 2017 of the State of Guanajuato in the Young Creator category.

 

1.618 Collective is a Mexican Project of Artistic Creation and Research that was born in 2014 under the direction of María José Gómez * and Jorge Luis Rebollo ** in the city of León, Gto. Starting from the body and its multiple possibilities of movement they seek to deepen into body language based on games, improvisation, alertness and action.

Their desire to promote the artistic development in the state of Guanajuato, Mexico, carries out several projects such as: "Plataforma Órbita" that is professional training program for Gto. Dancers, "Pequeños Mutantes" Dance/Social Project at Fundación León, as well as part of the art education Staff of La Salle College, teaching classes that are focused on teamwork and collaboration through dance.

Currently they are part of the team of teachers and researchers of the CONTINUUM dance training system by Omar Carrum (DELFOS Contemporary Dance) and are working on their next production. That with the help of The School of Contemporary Dancers and EDUCAFIN- SUBE (Instituto de Financiamiento e Información para la Educación) will be released in Mexico this summer. This Project includes a collaboration with the Winnipeg based dance collective GPS and its member Ilse Torres whom they have worked with since 2014.

* Grant holder of the Production and Artistic and Cultural Development of the Cultural Institute of León 2016 - 2017 in the category of Dance.

** Grant holder of the Program of Encouragement to the Creation and Artistic Development (PECDA) 2017 of the State of Guanajuato in the Young Creator category.

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May
31
9:30 AM09:30

Dance Experience with OYO Namibia

31 July - 25 August 2017

Would you like to work with an NGO that harnesses dance and other arts to engage, inform and empower young people to tackle HIV and related social issues? Would you like to work with the only dance company from Africa selected to be part of the Commonwealth Youth Dance Festival at Glasgow 2014? We are seeking six outstanding, self-motivated and energetic students or graduates with a desire to experience dance in a development context.

You will be working with six members of the OYO Dance Troupe to create a piece to reach students and members of the public.

The piece will directly tackle a social issue that is pertinent to the moment and community. We are looking for talented individuals who have the skills to work creatively and to a tight deadline, who are vibrant, reliable performers. In Namibia, one person in every five lives with HIV/AIDS and the country ranks fifth worldwide in HIV prevalence. Of approximately 40 new infections every day (within a national population of just 2 million people), 44% are estimated to be among young people aged 15 to 24 years, among which 77% of those newly infected are young women. Factors involved in HIV/AIDS prevalence are multifarious and include social, economic and cultural factors. Young people are particularly at risk with HIV/AIDS remaining a persistent and pervasive threat to Namibian youth. But HIV/AIDS is not the only social challenge faced by our youth.

Building on the cultural significance in Namibia of dance, drama and music, the OYO Trust uses arts with young people to tackle social issues and promote behaviour change.

OYO’s application of a highly participatory... and learner-centered pedagogy represents a model of excellence and best practice.

Hon. Nangolo Mbumba, MP, Minster for Education, September 2009.

On this dance experience with OYO, there will be three weeks of full-day rehearsals in Windhoek to exchange skills and create the new piece, immediately followed by performances. The show venues may be schools, with indoor or outdoor spaces, and/or community venues. There will be no sprung floors and sometimes surfaces will be concrete and/or dusty. Performances may be followed by facilitated discussions to maximise the opportunity for behaviour change. There could be one or multiple venues in a day, and each day will include unpredictable last minute changes, so we’re looking for adaptable positive people who are expert at improvising, not just as dancers!

Theme for the 2012 internship project: Corrective rape (creation of the piece ‘Magda’) Check youtube link http://www.youtube.com/watch?v=KQh6gZOD9CI&feature=plcp Theme for the 2013 internship project: Baby dumping (creation of the piece ‘The dark Medea’) Theme for the 2014 internship project: Passion killing (creation of the piece ‘Ever since Helen’)

Theme for the 2015 internship project: Teenage pregnancy/abortion (creation of the piece ‘Ania’)

https://youtu.be/hBx_EW2bAdQ

Theme for the 2016 internship project: Orphans and Vulnerable children (creation of the piece ‘the phantom of Namibia) https://youtu.be/zWQchb8E1fc

Rehearsals will be led by OYO’s founding Artistic Director, Philippe Talavera. The visiting artists will be invited to facilitate classes and will contribute to the creative process. OYO uses mostly physical theatre techniques, with influences dependent upon the expertise of the visiting artists (i.e. you and the Namibian dancers). Are you interested in a career in performing, choreographing, development, community work, youth work, dance education or dance management? This month in Namibia could enable you to develop your skills, work out your key strengths and gain valuable CV points. Furthermore, you will have an experience with OYO that you will never forget and forge lifelong friendships.

How much does it cost?

 Early bird: on or before 10 March 2017: £1,200, which includes your accommodation in Windhoek, airport transfer and your in-country travel for OYO. (NB This rate is possible at the current exchange rate, therefore early applications are encouraged.)

 After 10 March 2017: £1,400  We will ask you to fundraise with a target of £500, which you are of course welcome to exceed! You could do a sponsored run, singathon, speed-dating or wine-tasting. This is to raise awareness of what you are doing and to provide OYO with much-needed core funding.  You need to book and pay for your own international flight to Windhoek airport (please agree on dates and times with us before booking) as well as your travel and health insurance.  You will also want to bring money to cover your day-to-day living costs i.e. transport, meals, socialising. £10 per day should be about right, though the exchange rate varies.

When is it? The internship will run from 31 July - 25 August 2017.

Applications are open from 15 December 2016.

How do I apply?

Please send us your CV and your statement of interest, explaining why you’d like to spend four weeks with OYO. Include what you think you could offer to the OYO Dance Troupe in terms of your dance skills, experience and interest. Please confirm in your letter that you are able to cover all the costs indicated above. Email your CV and motivation letter to OYOinternship@gmail.com with a copy to philippe@ombetja.org and info@ombetja.org

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Movements for a Room: A workshop with Katie Lyle and Shelby Wright
May
2
6:00 PM18:00

Movements for a Room: A workshop with Katie Lyle and Shelby Wright

Katie Lyle and Shelby Wright make movement based work combining their artistic backgrounds in dance, film and visual art. Together their collaborative practice focuses on the development of a shared language of movements and phrases. This system acts as a generative source for creation, problem solving and sharing of experience with each other and an audience.

Lyle and Wright will present an interdisciplinary workshop combining movement and discussion, with an emphasis on collaboration, revision and choreography. Posing the question of how our movements change in relation to another person? How we experience duality in our bodies, exploring the process of watching versus feeling movement.

The workshop will consider the character or role of an artist in the studio, how we might move and work in a space that is both private and public. Enacting the moment right before deciding to make something. Movement as a visual embodiment of the agency of ‘doing something’, of thinking, revising, starting over. Moving to the language of drawing and looking.

Why dance now? Why the body now?

To make something full of mistakes that is also perfect, or that combines both.

To make something that appears unsure about every aspect of something.

To create a performance or series of movements that show indecision.

To create something that values indecision.

Katie Lyle works in painting, drawing and performance. Her work uses layering and the residual accumulation of paint to portray the unfixed nature of portraiture and narratives. Selected projects include: The Loon, Toronto (March 2017); G Gallery with Bridget Moser, Toronto; Evans Contemporary, Peterborough; Forest City Gallery with Shelby Wright, London ON (all 2016); Erin Stump Projects, Toronto; Model Project Space, Vancouver; Garden Gallery with Shelby Wright, Toronto; and The Nanaimo Art Gallery (all 2015). Lyle received her MFA from the University of Victoria (2009) and her BFA from Concordia University (2005). She has taught Painting and Drawing at the University of Toronto and the University of Victoria.

Shelby Wright is a dancer and choreographer based in Toronto. Wright’s work explores themes of memory, archive and transference through the body. She has received training from Canada’s National Ballet School, Ecole de danse contemporaine de Montréal, the Limón Institute of New York, and holds a BA from the University of Toronto in Cinema Studies and History. She has presented her choreography in Montréal and Toronto, and has performed professionally in these two cities as well as New York. Wright is certified as Associate Teacher of the Vaganova syllabus from the Society of Russian Ballet.

In December 2016, Lyle and Wright participated in the residency Choreography Across Disciplines at the Banff Centre for the Arts. They will present a Critical Distance performance in response to Matthew Gardiner’s exhibition You Can Never Go Home Again at aceartinc. on Friday May 5th.

Open to everyone interested in movement, body-awareness, choreography and dance. $10 at the door or at younglungs.ca/tickets

Special thanks to aceartinc.

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THIS DISPOSITION by Zorya Arrow
Apr
29
7:00 PM19:00

THIS DISPOSITION by Zorya Arrow

SATURDAY, APRIL 29TH, 2017 Video Screening: 7-10pm Performance: 10pm

AT POOLSIDE GALLERY 2ND FLOOR, ART SPACE, 221-100 Arthur St.

On the... Six month anniversary of my lover’s death Six month anniversary of this project's first showing International Dance Day

Zorya Arrow presents phase three of "This Disposition"

Featuring: The stories of all who were present with me when I received the most heart breaking phone call of my life. Oranges. My body.

Bring cash, refreshments available.

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The Pleasure of Movement: A workshop by Janelle Hacault and Jason Martin
Apr
29
12:00 PM12:00

The Pleasure of Movement: A workshop by Janelle Hacault and Jason Martin

Rachel Browne Theatre $20 Reserve your spot at janelle.hacault@gmail.com

Join us for a 2 hour movement workshop complete with a warm-up lead by Janelle followed by movement exploration and choreography with Jason. Here is what you can expect:

“My class is about working with a powerful and unique physicality. Improvisation and open dancing, will be the tools to start. Later we slow down and focus on the short exercises that connect to final phrases which will end the class. In a playful environment, I want to work with instinct to discover d i f f e r e n t k i n d s o f m o v e m e n t possibilities. The work improves instinctive movement and connects c o n s c i o u s a n d u n c o n s c i o u s movement, and it allows for an experience of freedom and pleasure in a simple way. Aiming to give equal opportunities to instinct and intellect, my work is known to favour the participation and development of unique corporal identities through a multitude of gestures. Notions of listening, sharing and engaging will be fundamental to the development of sensitive and meaningful material throughout this workshop.”

  • J.M

A Workshop

with Janelle Hacault (Wpg) & Jason Martin (Mtl)

Jason Martin is a graduate from the School of Contemporary Dance in Montreal and has danced with several companies, including Daniel Léveillé Danse, Compagnie Virginie Brunelle, Le Carré des Lombes, Sylvain Émard Danse, Compagnie Dave St-Pierre and the Compagnie Marie Chouinard. In 2014 he his first creation Raw was part of the Danses Buissonnières in collaboration with Tangente. In 2015, he created Us as part of the Fly Project in partnership with the School of Contemporary Dance in Montreal and soon founded the Entitey/Jason Martin Company in October 2015. The most recent creation of the company, Untamed, has been presented in Montreal in the official season Tangente in November, 2016. This year, Jason is a guest choreographer for the graduating students of School of Contemporary Dance in Montreal and he will also perform in his new co-creation with Janelle Hacault Falling, in Winnipeg and Toronto.

Janelle Hacault is a graduate of the Senior Professional Program at the School of Contemporary Dancers, trained actor, and holds a BA Honours degree from the University of Winnipeg. She has with Nafro Dance Productions, Odette Heyn Projects, Stephanie Ballard, Have We Met? Productions, Nova Dance Collective, Gearshifting Performance Works, Alexandra Elliott Dance Inc, Lady of the Lake Productions, Riley Sims, Zorya Arrow, Treasure Waddell, the Flin Flon Arts Council, Young Lungs Dance Exchange, Ming Hon, and Koba Entertainment Inc. She is co-founder of Nova Dance Collective, .6 Ricochet, and co-creator of thedancepost.org, an online dance hub focused on promoting dance education and performance for the professional Manitoba dance community. She is happy to perform her new co-creation, Falling, with Jason Martin, in Winnipeg and Toronto.

More information at janellehacault.com

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Four-Day Devised Theatre Intensive
Apr
29
to Apr 30

Four-Day Devised Theatre Intensive

Dive into your own creativity. Make your own work.

One Trunk Theatre Artistic Producer Andraea Sartison, together with Ghost River Theatre Artistic Director Eric Rose present a four-day intensive designed to pilot established and emerging artists through an introduction to devised theatre methodologies. Topics include:

collaborative creation dynamics visual approaches to storytelling non-traditional text generation the key principles of healthy creation practices

Open to adventurous artists in all media, our intensive will foster an innovative environment where participants will develop, learn and experiment with new tools for creative expression. The intensive demands rigorous participation from individuals through hands-on exercises based on the unique artistic practices Ghost River and One Trunk are forging in the creation of such shows as The Last Voyage of Donald Crowhurst, I Dream of Diesel and The Highest Step in the World.

April 27 & 28 5:00 p.m.-10:00 p.m., April 29 & 30 10 a.m.-6:00 p.m.

Winnipeg, Manitoba Earlybird/Equity rate: $275 After April 1, 2017: $300

To apply please send your resume and a brief letter of interest (no more than one page) via e-mail. You may be contacted for a short telephone interview. For more information or to apply contact Andraea Sartison at onetrunkcollective@gmail.com.

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ANYTHING BUT ABSOLUTE ZERO
Apr
27
to Apr 29

ANYTHING BUT ABSOLUTE ZERO

APRIL 27-29 / 8PM*

2 WORLD PREMEIRES! TEDD ROBINSON’S NEW DUET ON ROBYN THOMSON KACKI & SUSIE BURPEE & A NEW DUET BY LOCAL ARTIST JANELLE HACAULT AND MONTREAL’S JASON MARTIN; PLUS THE REMOUNT OF BRENT LOTT’S Boxstruck PERFORMED BY WCD DANCERS.

Tickets at

Cotton Handkerchiefs and Dog's Tears

An enigmatic new duet choreographed by Walter Carsen Award winning Tedd Robinson, performed by Winnipeg’s own Robyn Thomson Kacki and Dora Award Winning artist Susie Burpee. Encounter worlds within worlds and experience the ritual and the magic of Cotton Handkerchiefs and Dog's Tears. With the generous support of the Manitoba Arts Council, the Winnipeg Arts Council, and the O'Neill Family Trust

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Falling
Apr
27
to Apr 30

Falling

Janelle Hacault and Entitey/Jason Martin with WCD co-presents Falling featured as one of three pieces in the production of Anything but Absolute Zero April 27th-29th, 2017 Rachel Browne Theatre

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petite danses
Apr
21
to Apr 22

petite danses

GEARSHIFTING Performance Works is pleased to present "petites danses" featuring the work of Guest Choreographer, Marie-Josee Chartier

Two performances only! Friday, April 21 @ 8pm Saturday, April 22 @ 8pm

Advance tickets available at www.gearshifting.org, $20/$25

“Dancing can reveal all the mystery that music conceals.” – Charles Baudelaire

Sixteen exceptional performers. Eight dances: each a world of its own.

Toronto-based, Guest Choreographer, Marie-Josee Chartier, creates a dynamic visual score which enraptures both our eyes and our ears.

Set to the powerful music of Linda C. Smith, Rodney Sharman, James Tenney and Nick Storring, Chartier invites us to witness how movement transforms music and vice versa, inviting us to see the beauty, intimacy and complexity of each composition.

As we visualize the music through the dancers' bodies, each dance becomes a short story crafted by Chartier's contemporary imagination.

Concept, Choreography and Direction: Marie-Josee Chartier Additional choreography in collaboration with the performers.

Performers include: Guest Artist from Toronto - Darryl Tracy Winnipeg dancers - Krista Nicholson, Jillian Groening, Helene Le Moullec Mancini, Elise Page, Carol-Ann Bohrn, Jessica Southgate, Camila Schujman, Natasha Torres-Garner, Jolene Bailie, Aaron Paul, Shawn Maclaine, Mark Dela Cruz, Philippe Alexandre-Jacques, plus Winnipeg actors - Arne MacPherson and Eric Blais.

Gearshifting Performance Works gratefully acknowledges the support of The Canada Council for the Arts, The Manitoba Arts Council and The Winnipeg Arts Council. www.gearshifting.org

Please note: PERFORMANCE CONTAINS NUDITY

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Michael Lugering - 5 day Voice, Movement and Acting Intensive
Apr
8
to Apr 10

Michael Lugering - 5 day Voice, Movement and Acting Intensive

April 6-10, 2017 9:30am-5:30pm Company Link will be bringing in internationally recognized teacher Michael Lugering, from the University of Nevada, Las Vegas, to teach a 5 day intensive in Winnipeg this April which combines elements of modern dance technique with sound vocal practice and integrates Voice, Movement and Acting (dates and details below).

Mr. Lugering has developed a balanced approach using sound theory and practice in breath, movement, voice, and acting which integrates these seemingly disparate elements into a single, unified approach. The work combines elements of modern dance technique to connect the voice with the body in the service of expressing a thought and feeling, while also studying the various qualities that we use to move and express. Create greater depth in connecting to your voice and language using the foundation of the body and movement.

This will only be the second time that this unique work has been taught in Canada.
Early Bird Registration: $ 350.00 (prior to March 12) Late Registration: $400.00

Please contact tomsoares.voice@gmail.com to register or if you have any questions about the nature of the work.

www.expressiveactor.org

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BOUFFON WORKSHOP with Eric Davis
Mar
30
to Apr 2

BOUFFON WORKSHOP with Eric Davis

WANNA FOOL AROUND?

TAKE A BOUFFON WORKSHOP

16 hours of mockery, mischief and mayhem await you as the creator of Red Bastard teases out your inner BOUFFON. Find your critical fun as we seek laughter through explosive parody, strange bodies, and a nudge from the devil himself.

In the world of Bouffon, the audience is the joke. This pack of grotesque outsiders engage and parody the audience with great joy, intelligence and charm in order to expose hypocrisy and flaws. To play as Bouffon is to celebrate paradox! They are disgusting, yet beautiful. They hate you, yet they flatter you. A ferocious social satire is about to explode, liberating the energy in the room with an immense pleasure to play.

In this workshop, participants will explore:  Pleasure to Parody  Creating complex physical characters and bodies  Playing upon contrasts of theme and rhythm  How far is "too far"  Connecting with the Audience

ABOUT ERIC DAVIS Eric Davis has been teaching and performing professionally for 20 years. He was the lead clown for Cirque du Soleil’s Iris (for which he originated the role) as well as the clown for Cirque du Soleil’s Quidam. He is a recipient of the NYC Golden Nose Award. His bouffon show, Red Bastard, was named top 5 shows in the U.K. and received a whopping TWELVE 5-star reviews at Edinburgh Fringe.

ABOUT THE WORKSHOP Dates: Thursday, March 30th, 7pm-10pm Saturday, April 1st, 9:30am-5pm Sunday, April 2nd, 9:30am-5pm *Includes breaks and 1 hour lunch

Venue: Prairie Theatre Exchange 3rd Floor, Portage Place Unit Y300-393 Portage Avenue To Register: Online: www.pteschool.ca Phone: 204.925.5252 Email: education@pte.mb.ca

Fee: Before March 6th $275 After March 6th $325 Space is limited so register early to guarantee your spot.

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Mar
27
to Mar 29

UPCOMING OPEN CLASSES: March 27-29 and 31

10:00am -11:15am Classes held at the NAfro Dance Centre, 109 Pulford Street, 2nd floor.

$5/class for drop in's, cash only please.

Teachers: March 27 and 28, Class led by Artistic Director, Jolene Bailie March 29 and 31, Class led by Guest Choreographer, Marie-Josee Chartier

All classes with live percussion. Percussionist: Jay Stoller Company Class is a centre contemporary class. All classes are Advanced/Professional level.

Space opens 30 minutes prior to start time for dancer warm-ups. Please note: Scent free environment.

Additional classes will also be held: April 10-14, 2017 April 17, 2017

April classes will be taught by Guest Teachers Marie-Josee Chartier, Darryl Tracy and Artistic Director, Jolene Bailie.

Gearshifting Performance Works offers open company class at select times during the season and has been providing open classes to the community since 2004.

Event photos by: Leif Norman Dancers in Red: Jessica Southgate and Aaron Paul Group Photo: L-R, back row: Helene Le Moullec Mancini, Darryl Tracy (Guest Artist), Carol-Ann Borhn, Jillian Groening, Jolene Bailie, Krista Nicholson, Aaron Paul L-R, front row: Elise Page, Natasha Torres-Garner, Jessica Southgate, Camila Schujman, Marie-Josee Chartier (Guest Choreographer).

gearshifting.org

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Mar
21
3:30 PM15:30

Company Link presents Gisele St Hilaire: Embodiment workshop

A 2-Day Intensive In the Feldenkrais Method

taught by Gisèle St. Hilaire

Saturday and Sunday April 22 & 23, 2017

9:30 am – 4:30 pm

At the University of Winnipeg's

Department of Theatre and Film

About the Workshop...

The Embodiment workshop is designed for any Actor, Dancer, or Individual interested in developing a greater awareness of the fundamental mechanisms involved in the expressive body. Through selected FeldenkraisⓇ movement sequences participants will become more aware of habitual neuromuscular patterns and rigidities that may inhibit expression and discover new ways of experiencing the body to include more of yourself in your movement.

Gisèle St. Hilaire has been Guild Certified FeldenkraisⓇ practitioner since 2001 and is the owner and operator of Sunyata Movement Studio in Winnipeg.

Early Bird Registration: $150.00 (prior to April 10)

Late Registration: $170.00

Special Discount for Students of the Department of Theatre and Film

To register or for more information contact

Tom Stroud at< t.stroud@uwinnipeg.ca>

or call 204 786-9323

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Mar
20
2:00 PM14:00

Plug In ICA | 2017 Summer Institutes I and II,

call for applications. Deadline, March 20th, 2017

February 16 to March 20, 2017 1, 460 Portage Ave, Winnipeg. MB, Canada Summer Institute I: June 13 - 29, 2017 | Faculty: Chris Kraus with Natasha Stagg and Robert Dewhurst

Summer Institute II - The Wendy Book Club: July 14 - August 4, 2017 | Faculty: Walter Scott and Niki Little

Plug In Institute of Contemporary Art • 1-460 Portage Avenue, Winnipeg, Manitoba, Canada • 204 942-1043 • info@plugin.org

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DRTC Career Conversation
Mar
17
2:00 PM14:00

DRTC Career Conversation

Amanda Hancox, the Dancer Transition Centre's Executive Director, is visiting Winnipeg next week and wants to meet with you! Stop by for an informal career conversation Tuesday, March 21st, at the Royal Winnipeg Ballet (380 Graham Ave. Board Room, 2nd Floor). Contact bregor@shaw.ca for more info or to set-up an individual appointment

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Community Works-In-Progress
Mar
8
7:00 PM19:00

Community Works-In-Progress

Young Lungs Dance Exchange + Winnipeg's Contemporary Dancers presents:

Community Works-In-Progress by:

Amelia Ehrhardt Brenda McLean & Ali Robson Carol-Ann Bohrn Johanna Riley Zorya Arrow & Ed Ackerman

March 8th 7:00pm Pay What you Can Rachel Browne Theatre

With generous support throughout the year from Manitoba Arts Council

Traditional Dance or this dance is in commemoration of the 104th anniversary of the Rite of Spring

by Amelia Ehrhardt

Amelia Ehrhardt makes, performs, teaches, facilitates, writes about, and organizes dance. She has worked in residence and shown work across Canada and holds an honours BA in Dance Studies from York University. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.

Music by Arthur Russell and Carl Nielsen

Made with Gregory Holt, Julia Male, Simon Portigal, Christy Stoeten, and Ann Trépanier with help from Evan Webber and Niomi Cherney And with residency support from Hatch/Harbourfront Centre and Toronto Dance Theatre.


Various Untitled (works in progress)

by Brenda McLean & Ali Robson Performers: Alex Elliott and Brittany Thiessen

Brenda McLean is a physical theatre performer/director and Co-Artistic Director of Theatre Incarnate. Brenda has created a number of new works including Master Orloff, Guernica, Verge-In, Dionysus is Getting Impatient and Men Seldom. Brenda also has directed the PTE School Adult Company for the last five years, and has been teaching acting for over 10 years.

Ali Robson is a dancer, choreographer and teacher based in Winnipeg, Manitoba. Ali has worked in dance and theatre with many companies and artists as performer, rehearsal director, mentor and movement coach. These include Peter Bingham of EDAM (Vancouver), Serge Bennathan of Les Productions Filglio (Vancouver), TRIP dance company under the Artistic Direction of Karen Kuzak (Winnipeg) and Winnipeg's Contemporary Dancers. As well she has worked with independent artists Lesandra Dodson, Brenda McLean, Tom Stroud, Natasha Torres-Garner, Treasure Waddell, Alexandra Elliott, Claire Marshall, Coral Aiken, Delia Brett (MACHiNENOiSY), Melanie Kuxdorf, Susie Burpee, and Debbie Patterson. Ali is a board member of YDLE and joined Company Link as Associate Artistic Director in 2016.


Untitled (work-in-progress)

By Carol-Ann Bohrn

Carol-Ann Bohrn was born and raised in Brandon, MB. She is a graduate of the School of Contemporary Dancers and holds a B.A. Honours degree in Dance from the University of Winnipeg. She has performed work for local choreographers Jolene Bailie, Brett Owen, Ming Hon, Freya Olafson, Odette Heyn, Brenna Klaverkamp, Brent Lott, Alexandra Elliot and Nina Patel. She most recently participated in the Cartae program at aceartinc, where she created her first live piece 'Eudaimonia', her first video piece 'Routine (Mea Culpa)' as well as a series of digital prints. She will be performing at Fem Fest this September with Gearshifting Performance Works. She is interested in somatic techniques such as Feldenkrais, Alexander, Mitzvah, and meditation.


(De)face Me (Work in progress)

by Johanna Riley Music: Jason Tait

Performers: Lise McMillan, Freya Olafson, Sam Penner, Warren McClelland, Brett Owen, Jasmine Allard

Johanna Riley has been a professional dance artist for a decade and a half. She has been a company member with Winnipeg’s Contemporary Dancers for over ten years, and is a co-founder of Young Lungs Dance Exchange, an organization which has worked to support new dance creation and the Winnipeg dance community for over twelve years. As a choreographer, Riley’s work has been presented by several organizations, including Young Lungs Dance Exchange, the School of Contemporary Dancers, Momentum Collective, and Winnipeg’s Contemporary Dancers. Riley is on the faculty of the Professional Program of the School of Contemporary Dancers, teaching dance technique, setting original repertory, rehearsal directing, and mentoring emerging choreographers.

Note: This is an improvisation on material that has been generated over a recent two-week research period for a full-evening length work being presented in the 2017/18 season.


Untitled

video by Zorya Arrow & Ed Ackerman

Zorya Arrow works within a range of disciplines including dance, film, and theatre and has created over nine original performance works. She holds an Honours degree in Dance with a minor in Theatre from the University of Winnipeg and sits on the Young Lungs Dance Exchange board of directors.

Ed Ackerman is a cinematographer and director, known for Cologne Vs. Winnipeg (2011), Primiti Too Taa (1988) and Clint and Ed Versus Wilda WahnWitz and Her Martial Blubb (2011). He has made films for Sesame Street, IMAX, the National Film Board of Canada, and CBC, to name a few.


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Clearly Communicating Unclear Ideas: writing about your work for people to read
Mar
6
6:00 PM18:00

Clearly Communicating Unclear Ideas: writing about your work for people to read

Young Lungs Dance Exchange and Winnipeg's Contemporary Dancers present:

Clearly Communicating Unclear Ideas: writing about your work for people to read A writing workshop by Amelia Ehrhardt

Pay what you can 2-211 Bannatyne

This workshop will go over some common problems in writing about your own work and possible solutions to them. Particular attention will be paid to the function of an artist's statement, but other topics will include proposals, bios, and communication with Curators/festival directors/etc. We will pay attention to the difference between writing for different kinds of selection-makers (peer assessors, grants officers, curators/artistic directors, etc). Please note this is not a workshop on marketing copy but rather specifically on artistic copy and content.

Bio: Amelia Ehrhardt is a choreographer. Her work approaches the mediums of dance and choreography through creation, curation, performance, and teaching. Her practice seeks the parameters of how we watch, understand, and make dance, and ways to re-contextualize the form and to trouble those parameters. Through her work as Curator at Dancemakers Centre for Creation(Toronto) Amelia aims to use the framework of an institution and seasonal programming as a macro-choreography; considering how framing decisions around individual dances effect ways in which dance work is made. Amelia’s work has been supported through residencies at HATCH, Toronto Dance Theatre, and Studio 303, and has been presented at OFFTA Montréal, SummerWorks Performance festival, AGO’s First Thursdays, and other itinerant artist-run spaces such as Doored/Double Double Land and Halo Halo Village. As a dancer she works predominantly in multidisciplinary contexts, having interpreted works for Zeesy Powers and Suzy Lake as well as choreographers Carol Anderson, Susie Burpee, and Julia Sasso. She is the founder of Flowchart: a Series of Performance, a former Lover at the Toronto Dance Community Love-In and the inaugural Dance Curator at Summerworks Performance Festival. She holds an honours BA in Dance Studies from York University and has trained independently in Montréal, New York, and Vienna. Amelia is a 2016 fellow of the Toronto Arts Council Leaders Lab and is a participant in 8 DAYS: a Gathering of Canadian Choreographers. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.

Photo by Yuula Benivolski

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efficiency/virtuosity/efficiency/virtuosity - a dance workshop by Amelia Ehrhardt
Mar
6
to Mar 10

efficiency/virtuosity/efficiency/virtuosity - a dance workshop by Amelia Ehrhardt

Young Lungs Dance Exchange and Winnipeg's Contemporary Dancers presents:

efficiency/virtuosity/efficiency/virtuosity a dance workshop by Amelia Ehrhardt

March 6-9th 10:00am -12:00pm $10/class Rachel Browne Theatre 2-211 Bannatyne Ave.

This class will focus on finding pathways for movement that cut out unnecessary tension, affect, baggage, drama, and lead most directly to movement that is pleasing and, hopefully, virtuosic. Floor and release-based methods will be the primary source of vocabulary, and participants will also work through improvisation and gentle guided partner work. In the interest of also being efficient about ideas, we will source the work of other artists and mine for what is interesting to us right now. Obsessive attention to citation will be made. We will move/roll/slide/loop/jump/swing/suspend, climb horizontally, visualize our fascial system, think, and sweat.

Bio:

Amelia Ehrhardt is a choreographer. Her work approaches the mediums of dance and choreography through creation, curation, performance, and teaching. Her practice seeks the parameters of how we watch, understand, and make dance, and ways to re-contextualize the form and to trouble those parameters. Through her work as Curator at Dancemakers Centre for Creation(Toronto) Amelia aims to use the framework of an institution and seasonal programming as a macro-choreography; considering how framing decisions around individual dances effect ways in which dance work is made. Amelia’s work has been supported through residencies at HATCH, Toronto Dance Theatre, and Studio 303, and has been presented at OFFTA Montréal, SummerWorks Performance festival, AGO’s First Thursdays, and other itinerant artist-run spaces such as Doored/Double Double Land and Halo Halo Village. As a dancer she works predominantly in multidisciplinary contexts, having interpreted works for Zeesy Powers and Suzy Lake as well as choreographers Carol Anderson, Susie Burpee, and Julia Sasso. She is the founder of Flowchart: a Series of Performance, a former Lover at the Toronto Dance Community Love-In and the inaugural Dance Curator at Summerworks Performance Festival. She holds an honours BA in Dance Studies from York University and has trained independently in Montréal, New York, and Vienna. Amelia is a 2016 fellow of the Toronto Arts Council Leaders Lab and is a participant in 8 DAYS: a Gathering of Canadian Choreographers. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.

With generous support from the Manitoba Arts Council

Photo by Yuula Benivolski

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Dollhouse of Commons
Feb
15
to Mar 5

Dollhouse of Commons

One Trunk Theatre debuts its itty-bitty pop up theatre this winter at The Forks. Designed by 5468796 Architecture and built by Chris Pancoe and Shaun de Rooy, this 32 square feet space will be home to free concerts, photography shoots, live performance and visual art installations between February 15-March 5, 2017.

Winnipeggers are invited to check out one of the scheduled performances, or discover the house for themselves. The space will be open to the public as a warming hut throughout these three weeks.

Wednesday, February 15, 9:30am-4:45pm Photoshoot by PrairieView School of Photography Diploma Students

Thursday, February 16, 9:30am-4:45pm: Photoshoot by PrairieView School of Photography Diploma Students

Saturday, February 18, 12:00-2:00pm: River Trail Art Hive, outdoor public art project by ArtsJunktion mb

Monday, February 20, 1:00-2:00pm: A Birthday Party Kitchen Party, house concert by the Lock Down featuring Claire Therese

Friday, February 24, 5:30-6:30pm: The Palatine, storytelling by Fill the (W)hole Theatre Co.

Saturday, February 25, 12:00-2:00pm: River Trail Art Hive, outdoor public art project by ArtsJunktion mb

Saturday, February 25, 3:00-4:00pm: The Wolf at the Door, storytelling by Mary Louise Chown

Sunday, February 26, 12:00-1:00pm: A Quantum State, dance by Tanja Faylene

Sunday, February 26, 3:00-4:00pm: Icelogy: A Mindy and Marge Adventure, theatre/improvisation by Mindy and Marge with Rachel Smith and Kaitlin Aiello.

Sunday, February 26, 6:00-7:00pm: The Party's in the Kitchen, sketch comedy by Free Snacks with Aaron Pridham, Angie StMars, Jessina Cheffens, and Melanie Dahling

Saturday, March 4, 7:00-9:00pm: Terrifying Tales with Make/Shift Theatre

Sunday, March 5, 3:00-4:30pm: A Doll's House, play-reading by One Trunk Theatre

The Dollhouse of Commons will become home to One Trunk Theatre's theatrical experiments and touring in years to come. Built on a bike trailer, this hyper-versatile space (with one side that opens completely (think removing the 4th wall) allows for a new performer/audience relationship. Audiences of up to 4 people can experience a show performed inside, or large groups can peer through the doors and windows to see a show going on inside, or the space can simple be a backdrop or bandshell for shows at festivals. We look forward to making enormous discoveries in a miniature environment.

#dollhouseofcommons @onetrunktheatre

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