Janelle Hacault and Entitey/Jason Martin with WCD co-presents Falling featured as one of three pieces in the production of Anything but Absolute Zero April 27th-29th, 2017 Rachel Browne Theatre
APRIL 27-29 / 8PM*
2 WORLD PREMEIRES! TEDD ROBINSON’S NEW DUET ON ROBYN THOMSON KACKI & SUSIE BURPEE & A NEW DUET BY LOCAL ARTIST JANELLE HACAULT AND MONTREAL’S JASON MARTIN; PLUS THE REMOUNT OF BRENT LOTT’S Boxstruck PERFORMED BY WCD DANCERS.
Cotton Handkerchiefs and Dog's Tears
An enigmatic new duet choreographed by Walter Carsen Award winning Tedd Robinson, performed by Winnipeg’s own Robyn Thomson Kacki and Dora Award Winning artist Susie Burpee. Encounter worlds within worlds and experience the ritual and the magic of Cotton Handkerchiefs and Dog's Tears. With the generous support of the Manitoba Arts Council, the Winnipeg Arts Council, and the O'Neill Family Trust
Dive into your own creativity. Make your own work.
One Trunk Theatre Artistic Producer Andraea Sartison, together with Ghost River Theatre Artistic Director Eric Rose present a four-day intensive designed to pilot established and emerging artists through an introduction to devised theatre methodologies. Topics include:
collaborative creation dynamics visual approaches to storytelling non-traditional text generation the key principles of healthy creation practices
Open to adventurous artists in all media, our intensive will foster an innovative environment where participants will develop, learn and experiment with new tools for creative expression. The intensive demands rigorous participation from individuals through hands-on exercises based on the unique artistic practices Ghost River and One Trunk are forging in the creation of such shows as The Last Voyage of Donald Crowhurst, I Dream of Diesel and The Highest Step in the World.
April 27 & 28 5:00 p.m.-10:00 p.m., April 29 & 30 10 a.m.-6:00 p.m.
Winnipeg, Manitoba Earlybird/Equity rate: $275 After April 1, 2017: $300
To apply please send your resume and a brief letter of interest (no more than one page) via e-mail. You may be contacted for a short telephone interview. For more information or to apply contact Andraea Sartison at firstname.lastname@example.org.
Rachel Browne Theatre $20 Reserve your spot at email@example.com
Join us for a 2 hour movement workshop complete with a warm-up lead by Janelle followed by movement exploration and choreography with Jason. Here is what you can expect:
“My class is about working with a powerful and unique physicality. Improvisation and open dancing, will be the tools to start. Later we slow down and focus on the short exercises that connect to final phrases which will end the class. In a playful environment, I want to work with instinct to discover d i f f e r e n t k i n d s o f m o v e m e n t possibilities. The work improves instinctive movement and connects c o n s c i o u s a n d u n c o n s c i o u s movement, and it allows for an experience of freedom and pleasure in a simple way. Aiming to give equal opportunities to instinct and intellect, my work is known to favour the participation and development of unique corporal identities through a multitude of gestures. Notions of listening, sharing and engaging will be fundamental to the development of sensitive and meaningful material throughout this workshop.”
with Janelle Hacault (Wpg) & Jason Martin (Mtl)
Jason Martin is a graduate from the School of Contemporary Dance in Montreal and has danced with several companies, including Daniel Léveillé Danse, Compagnie Virginie Brunelle, Le Carré des Lombes, Sylvain Émard Danse, Compagnie Dave St-Pierre and the Compagnie Marie Chouinard. In 2014 he his first creation Raw was part of the Danses Buissonnières in collaboration with Tangente. In 2015, he created Us as part of the Fly Project in partnership with the School of Contemporary Dance in Montreal and soon founded the Entitey/Jason Martin Company in October 2015. The most recent creation of the company, Untamed, has been presented in Montreal in the official season Tangente in November, 2016. This year, Jason is a guest choreographer for the graduating students of School of Contemporary Dance in Montreal and he will also perform in his new co-creation with Janelle Hacault Falling, in Winnipeg and Toronto.
Janelle Hacault is a graduate of the Senior Professional Program at the School of Contemporary Dancers, trained actor, and holds a BA Honours degree from the University of Winnipeg. She has with Nafro Dance Productions, Odette Heyn Projects, Stephanie Ballard, Have We Met? Productions, Nova Dance Collective, Gearshifting Performance Works, Alexandra Elliott Dance Inc, Lady of the Lake Productions, Riley Sims, Zorya Arrow, Treasure Waddell, the Flin Flon Arts Council, Young Lungs Dance Exchange, Ming Hon, and Koba Entertainment Inc. She is co-founder of Nova Dance Collective, .6 Ricochet, and co-creator of thedancepost.org, an online dance hub focused on promoting dance education and performance for the professional Manitoba dance community. She is happy to perform her new co-creation, Falling, with Jason Martin, in Winnipeg and Toronto.
More information at janellehacault.com
SATURDAY, APRIL 29TH, 2017 Video Screening: 7-10pm Performance: 10pm
AT POOLSIDE GALLERY 2ND FLOOR, ART SPACE, 221-100 Arthur St.
On the... Six month anniversary of my lover’s death Six month anniversary of this project's first showing International Dance Day
Zorya Arrow presents phase three of "This Disposition"
Featuring: The stories of all who were present with me when I received the most heart breaking phone call of my life. Oranges. My body.
Bring cash, refreshments available.
Katie Lyle and Shelby Wright make movement based work combining their artistic backgrounds in dance, film and visual art. Together their collaborative practice focuses on the development of a shared language of movements and phrases. This system acts as a generative source for creation, problem solving and sharing of experience with each other and an audience.
Lyle and Wright will present an interdisciplinary workshop combining movement and discussion, with an emphasis on collaboration, revision and choreography. Posing the question of how our movements change in relation to another person? How we experience duality in our bodies, exploring the process of watching versus feeling movement.
The workshop will consider the character or role of an artist in the studio, how we might move and work in a space that is both private and public. Enacting the moment right before deciding to make something. Movement as a visual embodiment of the agency of ‘doing something’, of thinking, revising, starting over. Moving to the language of drawing and looking.
Why dance now? Why the body now?
To make something full of mistakes that is also perfect, or that combines both.
To make something that appears unsure about every aspect of something.
To create a performance or series of movements that show indecision.
To create something that values indecision.
Katie Lyle works in painting, drawing and performance. Her work uses layering and the residual accumulation of paint to portray the unfixed nature of portraiture and narratives. Selected projects include: The Loon, Toronto (March 2017); G Gallery with Bridget Moser, Toronto; Evans Contemporary, Peterborough; Forest City Gallery with Shelby Wright, London ON (all 2016); Erin Stump Projects, Toronto; Model Project Space, Vancouver; Garden Gallery with Shelby Wright, Toronto; and The Nanaimo Art Gallery (all 2015). Lyle received her MFA from the University of Victoria (2009) and her BFA from Concordia University (2005). She has taught Painting and Drawing at the University of Toronto and the University of Victoria.
Shelby Wright is a dancer and choreographer based in Toronto. Wright’s work explores themes of memory, archive and transference through the body. She has received training from Canada’s National Ballet School, Ecole de danse contemporaine de Montréal, the Limón Institute of New York, and holds a BA from the University of Toronto in Cinema Studies and History. She has presented her choreography in Montréal and Toronto, and has performed professionally in these two cities as well as New York. Wright is certified as Associate Teacher of the Vaganova syllabus from the Society of Russian Ballet.
In December 2016, Lyle and Wright participated in the residency Choreography Across Disciplines at the Banff Centre for the Arts. They will present a Critical Distance performance in response to Matthew Gardiner’s exhibition You Can Never Go Home Again at aceartinc. on Friday May 5th.
Open to everyone interested in movement, body-awareness, choreography and dance. $10 at the door or at younglungs.ca/tickets
Special thanks to aceartinc.
31 July - 25 August 2017
Would you like to work with an NGO that harnesses dance and other arts to engage, inform and empower young people to tackle HIV and related social issues? Would you like to work with the only dance company from Africa selected to be part of the Commonwealth Youth Dance Festival at Glasgow 2014? We are seeking six outstanding, self-motivated and energetic students or graduates with a desire to experience dance in a development context.
You will be working with six members of the OYO Dance Troupe to create a piece to reach students and members of the public.
The piece will directly tackle a social issue that is pertinent to the moment and community. We are looking for talented individuals who have the skills to work creatively and to a tight deadline, who are vibrant, reliable performers. In Namibia, one person in every five lives with HIV/AIDS and the country ranks fifth worldwide in HIV prevalence. Of approximately 40 new infections every day (within a national population of just 2 million people), 44% are estimated to be among young people aged 15 to 24 years, among which 77% of those newly infected are young women. Factors involved in HIV/AIDS prevalence are multifarious and include social, economic and cultural factors. Young people are particularly at risk with HIV/AIDS remaining a persistent and pervasive threat to Namibian youth. But HIV/AIDS is not the only social challenge faced by our youth.
Building on the cultural significance in Namibia of dance, drama and music, the OYO Trust uses arts with young people to tackle social issues and promote behaviour change.
OYO’s application of a highly participatory... and learner-centered pedagogy represents a model of excellence and best practice.
Hon. Nangolo Mbumba, MP, Minster for Education, September 2009.
On this dance experience with OYO, there will be three weeks of full-day rehearsals in Windhoek to exchange skills and create the new piece, immediately followed by performances. The show venues may be schools, with indoor or outdoor spaces, and/or community venues. There will be no sprung floors and sometimes surfaces will be concrete and/or dusty. Performances may be followed by facilitated discussions to maximise the opportunity for behaviour change. There could be one or multiple venues in a day, and each day will include unpredictable last minute changes, so we’re looking for adaptable positive people who are expert at improvising, not just as dancers!
Theme for the 2012 internship project: Corrective rape (creation of the piece ‘Magda’) Check youtube link http://www.youtube.com/watch?v=KQh6gZOD9CI&feature=plcp Theme for the 2013 internship project: Baby dumping (creation of the piece ‘The dark Medea’) Theme for the 2014 internship project: Passion killing (creation of the piece ‘Ever since Helen’)
Theme for the 2015 internship project: Teenage pregnancy/abortion (creation of the piece ‘Ania’)
Theme for the 2016 internship project: Orphans and Vulnerable children (creation of the piece ‘the phantom of Namibia) https://youtu.be/zWQchb8E1fc
Rehearsals will be led by OYO’s founding Artistic Director, Philippe Talavera. The visiting artists will be invited to facilitate classes and will contribute to the creative process. OYO uses mostly physical theatre techniques, with influences dependent upon the expertise of the visiting artists (i.e. you and the Namibian dancers). Are you interested in a career in performing, choreographing, development, community work, youth work, dance education or dance management? This month in Namibia could enable you to develop your skills, work out your key strengths and gain valuable CV points. Furthermore, you will have an experience with OYO that you will never forget and forge lifelong friendships.
How much does it cost?
Early bird: on or before 10 March 2017: £1,200, which includes your accommodation in Windhoek, airport transfer and your in-country travel for OYO. (NB This rate is possible at the current exchange rate, therefore early applications are encouraged.)
After 10 March 2017: £1,400 We will ask you to fundraise with a target of £500, which you are of course welcome to exceed! You could do a sponsored run, singathon, speed-dating or wine-tasting. This is to raise awareness of what you are doing and to provide OYO with much-needed core funding. You need to book and pay for your own international flight to Windhoek airport (please agree on dates and times with us before booking) as well as your travel and health insurance. You will also want to bring money to cover your day-to-day living costs i.e. transport, meals, socialising. £10 per day should be about right, though the exchange rate varies.
When is it? The internship will run from 31 July - 25 August 2017.
Applications are open from 15 December 2016.
How do I apply?
Please send us your CV and your statement of interest, explaining why you’d like to spend four weeks with OYO. Include what you think you could offer to the OYO Dance Troupe in terms of your dance skills, experience and interest. Please confirm in your letter that you are able to cover all the costs indicated above. Email your CV and motivation letter to OYOinternship@gmail.com with a copy to firstname.lastname@example.org and email@example.com
Call for Choreographers 2017 The W.I.P. (works in progress) Series in Saskatoon, Saskatchewan is looking for professional and emerging choreographers to present original and innovative works in progress at the Free Flow Dance Centre 224 25th St. W. Saskatoon. Jackie Latendresse is the Series Coordinator. Informal showings will take place twice a year on June 17 and September 23. The season culminates in a Gala event of finished works. Date TBA. Priority will be given to Saskatchewan and Canadian based artists however; international applications are encouraged. Please send:
- A brief description of the proposed W.I.P. (work in progress)
- A current dance resume. (include phone #, email and mailing address)
- A short statement detailing the type of audience feedback that would most help you to continue to develop your work.
- Using the guidelines from the Canadian Artists Code describe your status as professional or emerging. Guidelines are available here Applications are being accepted immediately and are accepted on a first come, first served basis. Up to five Choreographers will be accepted for each performance. There will be two in studio performances. An honorarium will be paid for professional artists and at each showing one artist will be selected to instruct a special workshop as a part of the Brain Body Connection professional development series. Please include a description of the type of workshop you would like to present should you be selected. *Optional W.I.P.'s should be an exploration using contemporary/modern or experimental style. Choreographers will receive no less than five and no greater than twelve minutes to present their work. They will be expected to speak about their work prior to the presentation of it for up to a maximum of ten minutes. Written feedback will be collected and distributed to the choreographers. All artists presented will be considered for participation in the final Gala of finished works in the autumn. Please send your applications to: W.I.P. Series Attention J. Latendresse 224 25th St. W. Saskatoon, SK S7L 0C4 Info: firstname.lastname@example.org (306) 665-5998
GEARSHIFTING Performance Works is pleased to present "petites danses" featuring the work of Guest Choreographer, Marie-Josee Chartier
Two performances only! Friday, April 21 @ 8pm Saturday, April 22 @ 8pm
Advance tickets available at www.gearshifting.org, $20/$25
“Dancing can reveal all the mystery that music conceals.” – Charles Baudelaire
Sixteen exceptional performers. Eight dances: each a world of its own.
Toronto-based, Guest Choreographer, Marie-Josee Chartier, creates a dynamic visual score which enraptures both our eyes and our ears.
Set to the powerful music of Linda C. Smith, Rodney Sharman, James Tenney and Nick Storring, Chartier invites us to witness how movement transforms music and vice versa, inviting us to see the beauty, intimacy and complexity of each composition.
As we visualize the music through the dancers' bodies, each dance becomes a short story crafted by Chartier's contemporary imagination.
Concept, Choreography and Direction: Marie-Josee Chartier Additional choreography in collaboration with the performers.
Performers include: Guest Artist from Toronto - Darryl Tracy Winnipeg dancers - Krista Nicholson, Jillian Groening, Helene Le Moullec Mancini, Elise Page, Carol-Ann Bohrn, Jessica Southgate, Camila Schujman, Natasha Torres-Garner, Jolene Bailie, Aaron Paul, Shawn Maclaine, Mark Dela Cruz, Philippe Alexandre-Jacques, plus Winnipeg actors - Arne MacPherson and Eric Blais.
Gearshifting Performance Works gratefully acknowledges the support of The Canada Council for the Arts, The Manitoba Arts Council and The Winnipeg Arts Council. www.gearshifting.org
Please note: PERFORMANCE CONTAINS NUDITY
April 6-10, 2017 9:30am-5:30pm Company Link will be bringing in internationally recognized teacher Michael Lugering, from the University of Nevada, Las Vegas, to teach a 5 day intensive in Winnipeg this April which combines elements of modern dance technique with sound vocal practice and integrates Voice, Movement and Acting (dates and details below).
Mr. Lugering has developed a balanced approach using sound theory and practice in breath, movement, voice, and acting which integrates these seemingly disparate elements into a single, unified approach. The work combines elements of modern dance technique to connect the voice with the body in the service of expressing a thought and feeling, while also studying the various qualities that we use to move and express. Create greater depth in connecting to your voice and language using the foundation of the body and movement.
This will only be the second time that this unique work has been taught in Canada.
Early Bird Registration: $ 350.00 (prior to March 12) Late Registration: $400.00
Please contact email@example.com to register or if you have any questions about the nature of the work.
WANNA FOOL AROUND?
TAKE A BOUFFON WORKSHOP
16 hours of mockery, mischief and mayhem await you as the creator of Red Bastard teases out your inner BOUFFON. Find your critical fun as we seek laughter through explosive parody, strange bodies, and a nudge from the devil himself.
In the world of Bouffon, the audience is the joke. This pack of grotesque outsiders engage and parody the audience with great joy, intelligence and charm in order to expose hypocrisy and flaws. To play as Bouffon is to celebrate paradox! They are disgusting, yet beautiful. They hate you, yet they flatter you. A ferocious social satire is about to explode, liberating the energy in the room with an immense pleasure to play.
In this workshop, participants will explore: Pleasure to Parody Creating complex physical characters and bodies Playing upon contrasts of theme and rhythm How far is "too far" Connecting with the Audience
ABOUT ERIC DAVIS Eric Davis has been teaching and performing professionally for 20 years. He was the lead clown for Cirque du Soleil’s Iris (for which he originated the role) as well as the clown for Cirque du Soleil’s Quidam. He is a recipient of the NYC Golden Nose Award. His bouffon show, Red Bastard, was named top 5 shows in the U.K. and received a whopping TWELVE 5-star reviews at Edinburgh Fringe.
ABOUT THE WORKSHOP Dates: Thursday, March 30th, 7pm-10pm Saturday, April 1st, 9:30am-5pm Sunday, April 2nd, 9:30am-5pm *Includes breaks and 1 hour lunch
Venue: Prairie Theatre Exchange 3rd Floor, Portage Place Unit Y300-393 Portage Avenue To Register: Online: www.pteschool.ca Phone: 204.925.5252 Email: firstname.lastname@example.org
Fee: Before March 6th $275 After March 6th $325 Space is limited so register early to guarantee your spot.
10:00am -11:15am Classes held at the NAfro Dance Centre, 109 Pulford Street, 2nd floor.
$5/class for drop in's, cash only please.
Teachers: March 27 and 28, Class led by Artistic Director, Jolene Bailie March 29 and 31, Class led by Guest Choreographer, Marie-Josee Chartier
All classes with live percussion. Percussionist: Jay Stoller Company Class is a centre contemporary class. All classes are Advanced/Professional level.
Space opens 30 minutes prior to start time for dancer warm-ups. Please note: Scent free environment.
Additional classes will also be held: April 10-14, 2017 April 17, 2017
April classes will be taught by Guest Teachers Marie-Josee Chartier, Darryl Tracy and Artistic Director, Jolene Bailie.
Gearshifting Performance Works offers open company class at select times during the season and has been providing open classes to the community since 2004.
Event photos by: Leif Norman Dancers in Red: Jessica Southgate and Aaron Paul Group Photo: L-R, back row: Helene Le Moullec Mancini, Darryl Tracy (Guest Artist), Carol-Ann Borhn, Jillian Groening, Jolene Bailie, Krista Nicholson, Aaron Paul L-R, front row: Elise Page, Natasha Torres-Garner, Jessica Southgate, Camila Schujman, Marie-Josee Chartier (Guest Choreographer).
A 2-Day Intensive In the Feldenkrais Method
taught by Gisèle St. Hilaire
Saturday and Sunday April 22 & 23, 2017
9:30 am – 4:30 pm
At the University of Winnipeg's
Department of Theatre and Film
About the Workshop...
The Embodiment workshop is designed for any Actor, Dancer, or Individual interested in developing a greater awareness of the fundamental mechanisms involved in the expressive body. Through selected FeldenkraisⓇ movement sequences participants will become more aware of habitual neuromuscular patterns and rigidities that may inhibit expression and discover new ways of experiencing the body to include more of yourself in your movement.
Gisèle St. Hilaire has been Guild Certified FeldenkraisⓇ practitioner since 2001 and is the owner and operator of Sunyata Movement Studio in Winnipeg.
Early Bird Registration: $150.00 (prior to April 10)
Late Registration: $170.00
Special Discount for Students of the Department of Theatre and Film
To register or for more information contact
Tom Stroud at< email@example.com>
or call 204 786-9323
call for applications. Deadline, March 20th, 2017
February 16 to March 20, 2017 1, 460 Portage Ave, Winnipeg. MB, Canada Summer Institute I: June 13 - 29, 2017 | Faculty: Chris Kraus with Natasha Stagg and Robert Dewhurst
Summer Institute II - The Wendy Book Club: July 14 - August 4, 2017 | Faculty: Walter Scott and Niki Little
Plug In Institute of Contemporary Art • 1-460 Portage Avenue, Winnipeg, Manitoba, Canada • 204 942-1043 • firstname.lastname@example.org
Amanda Hancox, the Dancer Transition Centre's Executive Director, is visiting Winnipeg next week and wants to meet with you! Stop by for an informal career conversation Tuesday, March 21st, at the Royal Winnipeg Ballet (380 Graham Ave. Board Room, 2nd Floor). Contact email@example.com for more info or to set-up an individual appointment
Young Lungs Dance Exchange + Winnipeg's Contemporary Dancers presents:
Community Works-In-Progress by:
Amelia Ehrhardt Brenda McLean & Ali Robson Carol-Ann Bohrn Johanna Riley Zorya Arrow & Ed Ackerman
March 8th 7:00pm Pay What you Can Rachel Browne Theatre
With generous support throughout the year from Manitoba Arts Council
Traditional Dance or this dance is in commemoration of the 104th anniversary of the Rite of Spring
by Amelia Ehrhardt
Amelia Ehrhardt makes, performs, teaches, facilitates, writes about, and organizes dance. She has worked in residence and shown work across Canada and holds an honours BA in Dance Studies from York University. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.
Music by Arthur Russell and Carl Nielsen
Made with Gregory Holt, Julia Male, Simon Portigal, Christy Stoeten, and Ann Trépanier with help from Evan Webber and Niomi Cherney And with residency support from Hatch/Harbourfront Centre and Toronto Dance Theatre.
Various Untitled (works in progress)
by Brenda McLean & Ali Robson Performers: Alex Elliott and Brittany Thiessen
Brenda McLean is a physical theatre performer/director and Co-Artistic Director of Theatre Incarnate. Brenda has created a number of new works including Master Orloff, Guernica, Verge-In, Dionysus is Getting Impatient and Men Seldom. Brenda also has directed the PTE School Adult Company for the last five years, and has been teaching acting for over 10 years.
Ali Robson is a dancer, choreographer and teacher based in Winnipeg, Manitoba. Ali has worked in dance and theatre with many companies and artists as performer, rehearsal director, mentor and movement coach. These include Peter Bingham of EDAM (Vancouver), Serge Bennathan of Les Productions Filglio (Vancouver), TRIP dance company under the Artistic Direction of Karen Kuzak (Winnipeg) and Winnipeg's Contemporary Dancers. As well she has worked with independent artists Lesandra Dodson, Brenda McLean, Tom Stroud, Natasha Torres-Garner, Treasure Waddell, Alexandra Elliott, Claire Marshall, Coral Aiken, Delia Brett (MACHiNENOiSY), Melanie Kuxdorf, Susie Burpee, and Debbie Patterson. Ali is a board member of YDLE and joined Company Link as Associate Artistic Director in 2016.
By Carol-Ann Bohrn
Carol-Ann Bohrn was born and raised in Brandon, MB. She is a graduate of the School of Contemporary Dancers and holds a B.A. Honours degree in Dance from the University of Winnipeg. She has performed work for local choreographers Jolene Bailie, Brett Owen, Ming Hon, Freya Olafson, Odette Heyn, Brenna Klaverkamp, Brent Lott, Alexandra Elliot and Nina Patel. She most recently participated in the Cartae program at aceartinc, where she created her first live piece 'Eudaimonia', her first video piece 'Routine (Mea Culpa)' as well as a series of digital prints. She will be performing at Fem Fest this September with Gearshifting Performance Works. She is interested in somatic techniques such as Feldenkrais, Alexander, Mitzvah, and meditation.
(De)face Me (Work in progress)
by Johanna Riley Music: Jason Tait
Performers: Lise McMillan, Freya Olafson, Sam Penner, Warren McClelland, Brett Owen, Jasmine Allard
Johanna Riley has been a professional dance artist for a decade and a half. She has been a company member with Winnipeg’s Contemporary Dancers for over ten years, and is a co-founder of Young Lungs Dance Exchange, an organization which has worked to support new dance creation and the Winnipeg dance community for over twelve years. As a choreographer, Riley’s work has been presented by several organizations, including Young Lungs Dance Exchange, the School of Contemporary Dancers, Momentum Collective, and Winnipeg’s Contemporary Dancers. Riley is on the faculty of the Professional Program of the School of Contemporary Dancers, teaching dance technique, setting original repertory, rehearsal directing, and mentoring emerging choreographers.
Note: This is an improvisation on material that has been generated over a recent two-week research period for a full-evening length work being presented in the 2017/18 season.
video by Zorya Arrow & Ed Ackerman
Zorya Arrow works within a range of disciplines including dance, film, and theatre and has created over nine original performance works. She holds an Honours degree in Dance with a minor in Theatre from the University of Winnipeg and sits on the Young Lungs Dance Exchange board of directors.
Ed Ackerman is a cinematographer and director, known for Cologne Vs. Winnipeg (2011), Primiti Too Taa (1988) and Clint and Ed Versus Wilda WahnWitz and Her Martial Blubb (2011). He has made films for Sesame Street, IMAX, the National Film Board of Canada, and CBC, to name a few.
Young Lungs Dance Exchange and Winnipeg's Contemporary Dancers present:
Clearly Communicating Unclear Ideas: writing about your work for people to read A writing workshop by Amelia Ehrhardt
Pay what you can 2-211 Bannatyne
This workshop will go over some common problems in writing about your own work and possible solutions to them. Particular attention will be paid to the function of an artist's statement, but other topics will include proposals, bios, and communication with Curators/festival directors/etc. We will pay attention to the difference between writing for different kinds of selection-makers (peer assessors, grants officers, curators/artistic directors, etc). Please note this is not a workshop on marketing copy but rather specifically on artistic copy and content.
Bio: Amelia Ehrhardt is a choreographer. Her work approaches the mediums of dance and choreography through creation, curation, performance, and teaching. Her practice seeks the parameters of how we watch, understand, and make dance, and ways to re-contextualize the form and to trouble those parameters. Through her work as Curator at Dancemakers Centre for Creation(Toronto) Amelia aims to use the framework of an institution and seasonal programming as a macro-choreography; considering how framing decisions around individual dances effect ways in which dance work is made. Amelia’s work has been supported through residencies at HATCH, Toronto Dance Theatre, and Studio 303, and has been presented at OFFTA Montréal, SummerWorks Performance festival, AGO’s First Thursdays, and other itinerant artist-run spaces such as Doored/Double Double Land and Halo Halo Village. As a dancer she works predominantly in multidisciplinary contexts, having interpreted works for Zeesy Powers and Suzy Lake as well as choreographers Carol Anderson, Susie Burpee, and Julia Sasso. She is the founder of Flowchart: a Series of Performance, a former Lover at the Toronto Dance Community Love-In and the inaugural Dance Curator at Summerworks Performance Festival. She holds an honours BA in Dance Studies from York University and has trained independently in Montréal, New York, and Vienna. Amelia is a 2016 fellow of the Toronto Arts Council Leaders Lab and is a participant in 8 DAYS: a Gathering of Canadian Choreographers. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.
Photo by Yuula Benivolski
Young Lungs Dance Exchange and Winnipeg's Contemporary Dancers presents:
efficiency/virtuosity/efficiency/virtuosity a dance workshop by Amelia Ehrhardt
March 6-9th 10:00am -12:00pm $10/class Rachel Browne Theatre 2-211 Bannatyne Ave.
This class will focus on finding pathways for movement that cut out unnecessary tension, affect, baggage, drama, and lead most directly to movement that is pleasing and, hopefully, virtuosic. Floor and release-based methods will be the primary source of vocabulary, and participants will also work through improvisation and gentle guided partner work. In the interest of also being efficient about ideas, we will source the work of other artists and mine for what is interesting to us right now. Obsessive attention to citation will be made. We will move/roll/slide/loop/jump/swing/suspend, climb horizontally, visualize our fascial system, think, and sweat.
Amelia Ehrhardt is a choreographer. Her work approaches the mediums of dance and choreography through creation, curation, performance, and teaching. Her practice seeks the parameters of how we watch, understand, and make dance, and ways to re-contextualize the form and to trouble those parameters. Through her work as Curator at Dancemakers Centre for Creation(Toronto) Amelia aims to use the framework of an institution and seasonal programming as a macro-choreography; considering how framing decisions around individual dances effect ways in which dance work is made. Amelia’s work has been supported through residencies at HATCH, Toronto Dance Theatre, and Studio 303, and has been presented at OFFTA Montréal, SummerWorks Performance festival, AGO’s First Thursdays, and other itinerant artist-run spaces such as Doored/Double Double Land and Halo Halo Village. As a dancer she works predominantly in multidisciplinary contexts, having interpreted works for Zeesy Powers and Suzy Lake as well as choreographers Carol Anderson, Susie Burpee, and Julia Sasso. She is the founder of Flowchart: a Series of Performance, a former Lover at the Toronto Dance Community Love-In and the inaugural Dance Curator at Summerworks Performance Festival. She holds an honours BA in Dance Studies from York University and has trained independently in Montréal, New York, and Vienna. Amelia is a 2016 fellow of the Toronto Arts Council Leaders Lab and is a participant in 8 DAYS: a Gathering of Canadian Choreographers. Amelia is based in Toronto and has never lived further than five kilometers from Lake Ontario.
With generous support from the Manitoba Arts Council
Photo by Yuula Benivolski
One Trunk Theatre debuts its itty-bitty pop up theatre this winter at The Forks. Designed by 5468796 Architecture and built by Chris Pancoe and Shaun de Rooy, this 32 square feet space will be home to free concerts, photography shoots, live performance and visual art installations between February 15-March 5, 2017.
Winnipeggers are invited to check out one of the scheduled performances, or discover the house for themselves. The space will be open to the public as a warming hut throughout these three weeks.
Wednesday, February 15, 9:30am-4:45pm Photoshoot by PrairieView School of Photography Diploma Students
Thursday, February 16, 9:30am-4:45pm: Photoshoot by PrairieView School of Photography Diploma Students
Saturday, February 18, 12:00-2:00pm: River Trail Art Hive, outdoor public art project by ArtsJunktion mb
Monday, February 20, 1:00-2:00pm: A Birthday Party Kitchen Party, house concert by the Lock Down featuring Claire Therese
Friday, February 24, 5:30-6:30pm: The Palatine, storytelling by Fill the (W)hole Theatre Co.
Saturday, February 25, 12:00-2:00pm: River Trail Art Hive, outdoor public art project by ArtsJunktion mb
Saturday, February 25, 3:00-4:00pm: The Wolf at the Door, storytelling by Mary Louise Chown
Sunday, February 26, 12:00-1:00pm: A Quantum State, dance by Tanja Faylene
Sunday, February 26, 3:00-4:00pm: Icelogy: A Mindy and Marge Adventure, theatre/improvisation by Mindy and Marge with Rachel Smith and Kaitlin Aiello.
Sunday, February 26, 6:00-7:00pm: The Party's in the Kitchen, sketch comedy by Free Snacks with Aaron Pridham, Angie StMars, Jessina Cheffens, and Melanie Dahling
Saturday, March 4, 7:00-9:00pm: Terrifying Tales with Make/Shift Theatre
Sunday, March 5, 3:00-4:30pm: A Doll's House, play-reading by One Trunk Theatre
The Dollhouse of Commons will become home to One Trunk Theatre's theatrical experiments and touring in years to come. Built on a bike trailer, this hyper-versatile space (with one side that opens completely (think removing the 4th wall) allows for a new performer/audience relationship. Audiences of up to 4 people can experience a show performed inside, or large groups can peer through the doors and windows to see a show going on inside, or the space can simple be a backdrop or bandshell for shows at festivals. We look forward to making enormous discoveries in a miniature environment.